Mirza Sahiban

Mirza of Danabad and Sahiban of Khiva were cousins brought up together. She was married off. He came for her on his mare Bakki with his bow, and they fled.

He stopped to sleep under a jand tree. Sahiban, seeing her brothers coming, broke his arrows and hung them in the tree, so that he would not kill her brothers and they would not kill him. Both calculations failed. Her brothers killed him while he was unarmed and she died there.

Peelu's version is the standard one. Hafiz Barkhurdar wrote another.

Alone among the four great qissas, this one blames the woman. Sahiban breaking the arrows is proverbial in Punjabi for a decision that destroys everyone, and the phrase is used about women generally. The story is told at least as often as an indictment as a tragedy.

That makes it the most argued-over of the qissas, and modern retellings have gone back to it repeatedly to ask what a woman caught between a lover and her brothers was actually supposed to do.

The qissa turns on Sahiban breaking Mirza's arrows while he sleeps, so that when her brothers come he cannot fight. Both are killed.

That act is why the story is argued about. Every telling has to decide whether she was protecting her brothers, her lover, or neither, and Peelu's version does not resolve it.

It is the most fatalistic of the four great qissas and the least romantic. The other three end in death by circumstance and this one ends in a choice.

What we don't know

  • Peelu's dates, which are not established.

Where to check this

Named but not linked. These are real, findable documents. This project has not consulted them for this page.

  • Peelu, Mirza Sahiban.
  • Hafiz Barkhurdar's version.

This page has not yet been read through by the editor. Treat it with more caution than the rest.

How this page was written. The text is compiled from the standard published histories and reference works, not from a document held in hand. Nobody from this project has visited the place or read the archive. The list above is where a reader can go to check it, not a record of what was consulted line by line. Dates and figures are the received account. If you hold something better, write in and it will be corrected.

This is one of 62 accounts in What the Voice Carried, the chapter of this site covering the poetry, the music and the oral tradition.