Bhai Nand Lal Goya Ji

Bhai Nand Lal Ji was born at Ghazni, the son of a Persian secretary in Mughal service, and worked as a mirza and a tutor, at one point in the household of Prince Muazzam, later Bahadur Shah. He came to Anandpur and became one of the fifty-two poets of Guru Gobind Singh Ji's court.

He wrote in Persian, not Punjabi. The Divan-i-Goya, Zindaginama, Ganjnama and Tausif-o-Sana are his. His Persian is that of a court poet and his subject is the Guru.

Two short works in Punjabi are attributed to him, the Rehatnama and the Tankhahnama, which are among the earliest statements of the Khalsa code of conduct. Their attribution is debated.

His compositions are the only writings by a Sikh other than the Gurus, apart from Bhai Gurdas Ji's, that may be sung in a gurdwara.

A Persian-writing Muslim-educated court poet from Ghazni is not what most people picture when they picture the court at Anandpur, and he was one of its central figures.

He wrote in Persian, at a very high level, and his diwan and the Zindaginama are the principal Persian works of the Sikh tradition.

He had served in the Mughal administration at Multan before he came to Anandpur, and the Persian is the Persian of somebody trained in that world.

His work is recited in kirtan in translation and is read in the original by almost nobody. There is no complete critical edition in Punjabi.

What we don't know

  • Whether the Rehatnama and Tankhahnama are his.
  • Whether he took amrit. Sources differ.

Where to check this

Named but not linked. These are real, findable documents. This project has not consulted them for this page.

  • Divan-i-Goya and the Persian works.
  • Standard scholarship on the Anandpur court poets.

This page has not yet been read through by the editor. Treat it with more caution than the rest.

How this page was written. The text is compiled from the standard published histories and reference works, not from a document held in hand. Nobody from this project has visited the place or read the archive. The list above is where a reader can go to check it, not a record of what was consulted line by line. Dates and figures are the received account. If you hold something better, write in and it will be corrected.

This is one of 130 accounts in The Ten, the chapter of this site covering the Gurus, from 1469 to 1708.